Born in 1966, Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence. The Richter family moved to the UK from Germany when Max was a young child, leaving the wider part of his family distributed around Germany. This sense of a lack of roots had an effect on his musical formation.
On completing his studies, Richter co-founded the immensely successful contemporary classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo PÃ?Â¤rt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich. Richter was also pro-active in developing the groupÃ¢â?¬â?¢s use of live sampling.
In 1996 he worked closely with The Future Sound of London on their release Ã¢â?¬Ë?Dead CitiesÃ¢â?¬â?¢. Initially involved as a pianist, he ended up co-writing a track (which they subsequently titled Ã¢â?¬Ë?MaxÃ¢â?¬â?¢). Following this, Richter collaborated with FSOL over a two-year period on the album Ã¢â?¬Ë?The IsnessÃ¢â?¬â?¢, with his input ranging from programming or piano playing to arranging, mixing, co-producing and co-writing various tracks. MaxÃ¢â?¬â?¢s orchestrations have also graced Ã¢â?¬Ë?In The MÃ?Â¸deÃ¢â?¬â?¢ by drumÃ¢â?¬â?¢nÃ¢â?¬â?¢bass pioneer Roni Size.
In June 2002, Richter released his debut solo album, 'Memoryhouse' via the BBC classical label, Late Junction, followed in March 2004 by FatCat's release of 'The Blue Notebooks', comprising of a series of bittersweet articulations that seem suspended somewhere between a certain dreamy sense of wonder and awe and a heavy melancholia. 2006 saw RichterÃ¢â?¬â?¢s follow-up album, Ã¢â?¬Ë?Songs From BeforeÃ¢â?¬â?¢ released in October, which provides a further refined, perhaps even subtler take on MaxÃ¢â?¬â?¢s narrative landscape, yet sounding as contemporary and impacting as any of his previous work. This was followed by Ã¢â?¬Ë?24 Postcards In Full ColourÃ¢â?¬â?¢, in August 2008. An experimental work made up of 24 miniature pieces conceived as a series of classically-composed ringtones, the album once again marries a richly evocative musicality with a tight conceptual rigour.
In October 2009, FatCat's 130701 imprint reissued the long-out-of-print 'Memoryhouse' album, which was followed soon after by the release of Max's score for 'Infra' - a beautiful collaboration with the choreographer Wayne McGregor and Julian Opie for the Royal Ballet. The multi-media ballet event was premiered as a performance piece at the Royal Opera House, Covent Garden in November 2008, whilst also featuring as the subject of a BBC TV documentary.
A celebrated soundtrack composer, Max's work for Ari Folman's beautiful, award-winning animated documentary 'Waltz With Bashir' received several honours worldwide, including the Best Music prize from the EFA. His other film scores include the Sundance-winning 'How To Die in Oregon'; 'Sarah's Key'; 'Henry May Long'; 'Die Fremde' among several others.
Max is currently engaged in a handful of new projects, including further film work, studio albums and performances pieces.
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